Nuts and Bolts-Growth and Practice -Fluid Acrylics

In order to grow as an artist you need to learn.  Sometimes you learn from classes and books and sometimes you learn by trying different things.  Doing the same thing over and over, if it is not working, is not the answer.

Lately I’ve been working in oils and playing with perspective.  But while I was online getting some supplies, I came across Golden Fluid Acrylics. I went on You Tube and found many artists doing some fantastic work with them.   One whom I find very soothing to watch is a gal MelyD.artist. She comes out with some great work as well and it’s fun to watch it develop.

So of course I had to try it as well.   I found where I wanted to take my experiments were different than the way she worked and that is how art works.  Creative efforts often spark more creative efforts.

So here is some plain acrylic paint mixed with Matte Media.  I call this one You Make my Heart Melt.

 

 

 

 

 

 

Of course I had to go on and play some more.  This one is mostly fluid acrylics with a little painting on top.  I call this one Meeting the Genius.

 

 

Conjuring the Storm

 

 

The Conversation

 

 

 

 

 

 

 

Surfing the Mindscape

 

 

I find I like to use these acrylics to make a complex background and then either enhance the elements with a little painting or paint over them.  It’s always fun to try a different direction.

The Catch is In!

Inspired by my husbands stories of growing up on the seaside on the south coast of England, this oil on canvas is entitled “The Catch is In!”.

Painting with a Circular Composition – The Cobb Lyme Regis – A Safe Harbor

Gallery

This gallery contains 1 photo.

My husband is from the south coast of England and loves the area.   I decided to paint one of his favorite landmarks in the area, The Cobb.   I do have a mantra to “paint what you know” and … Continue reading

My Magazines

Some collections I have put together you might like:

 

View my Flipboard Magazine.

View my Flipboard Magazine.

View my Flipboard Magazine.

My Visionary Art

I like to paint in a manner that could fall into the genre of Visionary Art.  I often dance around that term because there have been so many great visionary paintings I a tremble to even attempt to put myself in their spheres.

Many visionary artists paint after being influenced by Psychedelics and some can be found on this blog post: http://www.arthistoryarchive.com/arthistory/visionary/

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But historically there have been many painters that have been visionary without the use of chemicals, where artists have painted an unseen, a  world not viewed with the mundane eye.

 http://www.arthistoryarchive.com/arthistory/visionary/

 My own art comes from dreams, a deep respect and contact with nature and a strong yoga and meditation practice. With that caveat, here are some of my “Visionary” paintings.

Moon Meditation

challis-moon-meditation

Energy Rising

challis-energy-rising

The Long Journey

The Long Journey

No, I’m Not Done Yet

No I am not done yet

The Far Shore

The Far Shore

The World Tree

challis-world-tree

Owl Storm Eyes

small owl storm eyes

In Your Dreams

In Your Dreams

Ride the Wild Seahorse

small ride the wild sea horse

The Mating Game

small the mating game

The Power of Nature

The Power of Nature

Gerd

spiraldancefinalThe Kleshas

klesha good

Meeting the Genius

Meeting the Genius

And of course more to come


A few of my favorite books about Visonary Artists (a few of whom I’ve actually met!) are:

Collective expressions

I was honored to be included in Collective Expressions, a juried group show of Northern Westchester Arts Guild Members at the Art and Sound Gallery in Greenwich, Ct.  The show will be running for the next six weeks throughout September 2016 and I believe early October.

judy

 

Mischtechnik 2016 A Loving Portrait

Who doesn’t want to live forever?  I thought it was time, before my delightful hubby and I get too wrinkled to attempt a portrait of ourselves.  I love Lucian Freud’s work and think he was incredibly skilled but I didn’t want to wait until we are like this self-portrait he did that can be seen in Vienna.  I of course then had to watch a video about him and his art, and found he was a great fan of Cremnitz White, which I have on order.  This is a lead based white paint, so don’t eat in your studio while using it.   The video I watched on Lucian Freud can be found on YouTube here: A Painted Life   I love the emotion he conveys although he obviously was a haunted and tortured individual who didn’t play well with others.

lucian freud self portrait

Back to my painting.  My husband and I went out to our favorite French restaurant and dressed up for an anniversary one of the staff took a fabulous photo of us.    I decided to use that as my reference photo, along with peeking over my wine glass at dinner, an assessing, did dear hubby have a few little crows feet, how did the cleft of his chin look in profile?

A book I referred to was

This year, I used a marble based gesso to cover my boards.  The white is so white it hurts your eyes. If you are just tuning in you might want to read my post on Mischtechnik.IMG_0339 (Copy)

Next I spent a fair bit of time looking and reading about the anatomy of the face and neck.  And then spent a couple of weeks on an initial sketch.

JandDsketch (Copy)

And here is the initial glaze, I used iron oxide red.  It was still wet in this photo.

janddglaze1ironoxidered (Copy)

Meanwhile, as I wait for this to dry, I’m reading another book and learning even more about portrait painting.  It has an excellent section on blending colors for the skin.  I’m only half-way through, but I’m sure this will be a better painting because of it.

Portrait Painting Atelier: Old Master Techniques and Contemporary Applications

by Suzanne Brooker 

The next step, after it was fully dried, was to work on the highlights creating more tones, with the egg tempera.  I freely thinned the egg tempera with a little cold pressed linseed oil, so I could have different shades of white.  Some I used undiluted and some thinned.

portrait iron oxide with tempera (Copy)

And of course wait.  I usually keep a second painting going and work on that while I’m waiting.  This year its a semi-abstract in acrylic paint that has lots of free movement and invention and dries fast.  The antithesis of this.

Another glaze, this time I used transparent yellow ochre.  In the past I used a bright primary transparent yellow, but I like the warmer tones of the earth reds and yellows.

portrait transparent yellow oche (Copy)

Ah, finally we are starting to see some of those magic mid-tones arise out of nowhere.  I had on a top that was covered in black sparkles and I want to show that, but I’m not sure whether I have a handle on it.  I have a few points of light on it, but I’m not sure if they work yet.

Here is the white tempera on the highlights after this glaze.

good white over ochre (Copy)

Now the blue glaze.

blue glaze good (Copy)

Technically I should do another layer of the white highlights, but I like where I am.  I am going to start glazing local colors as soon as this dries.  Oops…I forgot to take photos of a couple of glazes.  Don’t worry you didn’t miss much, just the first coat on the walls, shirt and shawl.

work-in-progress-skin-white

work-in-progress-pink-tones

october-2-pupils-black-neck-full

judyanddan-portrait

 

Art Around Town 2016

I had a wonderful time showing some of my work at Art Around Town in Chappaqua, New York.   My paintings will be up at Noelle Marie Photography at 140 King Street until the end of June.   There are more than 30 other artists of the Northern Westchester Artists’ Guild showing at merchants about the town..  Do stop by and see our work.

judy facebook

Protected: Nature themed works

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Gwyn!

A portrait of my energetic English Shepherd Gwyn!

Gwyn in oil

If you like painting animals I find this book really helpful!