Lately we have been driving past a reservoir that is completely frozen and have been watching people ice fish on it. It was such a calm and peaceful scene I had to paint it. So here is my rendition: The Ice Pond in Winter.
This is another larger one at 36 X 48 inches in size. I wanted to capture some of the aspects of nature without making it relative to size. At the bottom I have painted some pollen grains that I think have a wonderful abstract quality. This painting is bright, without being overwhelming. If you look carefully you’ll find a tiny homage to the first video game I played and also a pair of my tired eyes after painting the many very tiny details this painting holds.
A good number of my characters have a story in my head. In fact a whole life, a family, growing up, and occupation and a sense of ethics or not. None of this is told in the painting. You get to see, in a Kodak moment, a snippet in time from their imaginary life. One of these characters is Foxy. Here, in The Trickster in Love we see him as a young fox, in love with the idea of falling in love, tracking it down and planning it’s capture.
Instead, when Foxy finds true love, it overwhelms and transforms him. So I painted his wedding in the enchanted forest.
Dan bought me several books on art for Christmas. One subject really surprised me. Winston Churchill as a painter! At the end of a book detailing his work, was a wonderful poem by Rudyard Kipling. I must share it with you.
L’Envoi To “The Seven Seas”
When Earth’s last picture is painted and the tubes are twisted and dried,
When the oldest colours have faded, and the youngest critic has died,
We shall rest, and, faith, we shall need it — lie down for an aeon or two,
Till the Master of All Good Workmen shall put us to work anew.
And those that were good shall be happy; they shall sit in a golden chair;
They shall splash at a ten-league canvas with brushes of comets’ hair.
They shall find real saints to draw from — Magdalene, Peter, and Paul;
They shall work for an age at a sitting and never be tired at all!
And only The Master shall praise us, and only The Master shall blame;
And no one shall work for money, and no one shall work for fame,
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They are!
I’ve been trying to buy local lately, and buy things made in America. I sometimes find what I need isn’t available, or if available, visible. The go to place used to be Etsy but that has grown from a community of local artists and craft people, to re-sellers, and too many items to effectively sort though to find things. I often even find what they are offering is shipping from China.
So what to do? The solution I believe is to become a maker. Make something, scarves, candles, soap, dishcloths, accessories for painters, knitters, cooks or whatever your heart desires. As much as you can, buy things from local sources. I’m not talking about the big box craft stores either. Then find an outlet to get it to market, local holiday craft shows, farmer’s markets, or another local storefront.
I decided to make beeswax candles and sell them via my local Putnam Arts Council Holiday Craft show. The truth of the matter is that even if I sell them all I won’t make a lot of money. But I will have circulated a few of my dollars through beekeepers (and we all know how important bees are to our food supply). The Arts Council will get a cut and people who I know and like will get something beautiful. Beeswax is a healthier wax to burn in your home as well. So this supports good things in my community.
So this season, let’s put beautiful things out there for the eye and the soul, and interact with those groups we want to support. And let’s not buy things that are made that pollute the environment, and ignore the rights of creatures great and small.
Recently I’ve been working in two styles, one is the egg tempera based one I’ve discussed in previous posts and also a more abstract one, that I’ve been working with in acrylic. I find it very hard to settle down and just do one style. So I’ve decided to try and focus on just two for a while (if I can). I’ve been playing with drawings that I draw to convey some sort of motion and then I add color. I find that these are best expressed in acrylic, that dries fast so I can keep my shapes clean and sharp. I greatly enlarge the small sketches and start playing with the images I see on the canvas. Some sort of magic happens when I make the initial images larger and I start seeing new shapes and images arise in the negative space. Here are two that I have finished in that style. So for the winter, let it flow and let it grow.
The top one is entitled “Reach for Peace” and the next one is “The Power of Nature” and both 36 x 48 inches in size, the third one is “The Mating Game” and is about 24 x 30 and the bottom one “Ride the Wild Seahorse” and is 18 x 24 inches in size.
This was the second Mischtechnik painting I did. There were a few stages where I really felt like I had created an ugly duckling that just wasn’t going to work. But here they are from start to end. I didn’t take a picture toward the end of every single step, so know there were a few more steps than shown. In contrast to my first painting, this one was done on board. My post on making egg tempera or emulsion can be found Here.
Title: Apparition of a Local Form (above)
Another playful one I’ve done in this style (I’ll skip all the steps as I gave you above) is The Monster in the Closet (below). What if there were monsters in your closet and what they really wanted were your accessories? (Grin).